原创 WUSHE 物舍艺术 2021-12-23 19:39
Overlapped - Digital Image - Sui Cheng's Art Exhibition for Teachers and Students
Curator: Chen Tingting
参展艺术家：隋丞 张钰铮 郝佳楠 孙颖欣 彭淇琦 王林麟
Participating Artists: Sui Cheng，Zhang Yuzheng, Hao Jianan, Sun Yingxin, Peng Qiqi, Wang Linlin
Organizer: Wushe Art
地点：DCC文化创意园（深圳市龙岗区平湖街道彩姿北路57号）
Venue: DCC Cultural Creative Park (No. 57, Cai Zi North Road, Pinghu Street, Longgang District, Shenzhen)
时间：2021年12月25日—2022年2月25日Time: December 25, 2021 - February 25, 2022
01 . 关于展览
Overlapped - Digital Image2021年12月25日，物舍艺术将荣幸呈现“重叠·数字之像—隋丞师生艺术展”。展示隋丞教授“知识作为一种方法”的教学方法通过突破固有的思维模式，开启思维的多重视角和维度，用联接和生成的方法整合知识与图像的创作方式。在后疫情时代“不确定”的状态下，互联网、物联网、区块链技术、NFT等电子信息技术扑面而来，数字艺术已经成为了一种新艺术。“重叠·数字之像”用数字化方法将块茎结构的思维与多视角、多维度相结合，将思维与知识、观念与感觉、规律与灵感做联接与整合，扩展认知的深度与广度。通过数字化的创作方式探讨媒材、工具、技术对艺术的改变；数字艺术或多媒体艺术能否终结绘画；数字艺术能否像传统艺术那样保持“尊严”；数字艺术如何定义“艺术”等问题。此次物舍艺术举办隋丞师生艺术展旨在通过联接艺术与学术、艺术家与设计师、经典与时尚，实现艺术作品的跨界转化与创新。把艺术教育的新方法、新成果通过跨界与破圈的实验与尝试，将作品演化延伸，引入生活的场景中，平衡人们对精神和功能的双重需求。探讨后疫情时代艺术与生活结合多种可能性，推进当代艺术在中国的普及化发展进程。
On 25 December 2021, Wushe Art is proud to present "Overlapped - Digital Images - Sui Cheng's Art Exhibition for Teachers and Students". The exhibition will showcase Professor Sui Cheng's teaching method of "knowledge as a method", which opens up multiple perspectives and dimensions of thought by breaking out of the conventional mode of thinking, and integrating knowledge and image creation by means of linkage and generation.
In the post-epidemic era of "uncertainty", digital art has become a new art with the advent of electronic information technologies such as the Internet, the Internet of Things, blockchain technology and NFT.
"Overlapped - Digital Image" uses digital methods to combine block-structured thinking with multiple perspectives and dimensions, linking and integrating thinking and knowledge, ideas and feelings, laws and inspirations, expanding the depth and breadth of cognition. Through digital creation, the exhibition explores how media, tools and technology have changed art; whether digital art or multimedia art can end painting; whether digital art can maintain the same "dignity" as traditional art; and how digital art defines "art".
This exhibition of Sui Cheng and his students aims to transform and innovate artworks across borders by linking art and academia, artists and designers, classics and fashion. By experimenting with new methods and achievements in art education through crossing borders and breaking circles, the works will evolve and extend and be introduced into the scenes of life, balancing people's needs for both spirituality and functionality. To explore the many possibilities of combining art and life in the post-epidemic era, and to advance the process of popularising contemporary art in China.
02. 关于艺术家
Overlapped - Digital Image
「 Overlapped - Digital Image 」
·
深圳大学美术设计学院教授，中央美术学院客座教授，中国美术家协会版画艺委会学术秘书，中央美术学院国际版画研究院秘书长，国际学院版画联盟网主编，《中国版画》杂志执行副主编，曾获“中国·鲁迅版画奖”。
受邀参加英国牛津大学“阿什莫林博物馆馆藏品展”，意大利罗马“版画精英展“，美国纽约“中国当代艺术联展”，加拿大“东方风”，澳大利亚“个性空间”，日本“神奈川国际版画展”，韩国“美术文化交流展”，台湾“亚太国际版画邀请展”等国际和中国的许多重要展览，曾举办过17次个人展览。其作品被英国牛津大学阿什莫林博物馆，欧洲木版基金会，韩国美术文化交流协会，日本神奈川文化交流协会，香港教育大学，台湾版画学会，台湾甘乐阿舍美术馆，柏年基金会，台湾大新美术馆，北京爱慕集团，颜诺国际，加拿大永新能源，何香凝美术馆，广东美术馆，湖北美术馆，关山月美术馆，中国版画博物馆，中央美术学院，贵州美术馆，深圳美术馆，金陵美术馆，石家庄美术馆，青岛美术馆，贵阳美术馆，大连美术馆等机构及收藏家收藏。Sui Cheng, Shenzhen University Professor, Visiting professor of China Central Academy of Fine Arts, Chinese Artists Association print art committee academic secretary, Secretary General of the International Printmaking Institute, Luxun Printmaking Prize awarded by Chinese Printmaking Artists’ Association.
Sui Cheng has been invited to participate in many important international and Chinese exhibition such as Chinese Printmaking—Exhibition of Stored Works of Ashmolin Museum in Oxford University, Chinese elite art exhibition in Rome Italy,
Then•Now---Joint Exhibition of China Contemporary Art in New York, Eastern Wind---Exhibition of Chinese Printmaking Works in Canada, Individual Space：Exhibition of Chinese and Australian Printmaking Artists’ Excellent Works in Australia, Kanagawa International Printmaking Exhibition in Japan, Korea Cultural Exchange Exhibition of Fine Art in Korea, Asian contemporary art exhibition in Taiwan,etc. He also has held 17 individual exhibitions. He is an active artist of Chinese contemporary art .
His works are collected by many Art Museum, institution and collectors such as Ashmolin,Museum of Oxford University,European Woodcut Foundation Fund, Korean Cultural Exchange Association of Fine Arts, Kanagawa Cultural Exchange Association, Education College of Hong Kong, Taiwan printmaking society, Taiwan Sun Yat-sen Museum, The Paning Centennial Foundation, Taiwan Daxing Art Museum, Beijing Aimer Group, NGAN LOK International Fashion Design, He Xiangning Art Museum, Guangdong Art Museum, Shenzhen Art Museum, Guan Shanyue Art Museum, Anhui Provincial Literature and ArtAssociation, Qingdao Art Museum, Sichuan Divine Land Printmaking Museum, Guiyang Art Museum, Shantou Museum, South and West University, China---Guanlan Printmaking Museum.
《绵延浮水》浮水者是当代都市人的生存隐喻。浮游既是自由又是限制，都市既是此岸又是彼岸。作品制造了一个图景，一个由人构成的景观社会，仿佛一个镜像，将古典自然山水和当代水泥森林相融，复合为一种新景观，在这个图式中浮水者既是他们也是我们。继《绵延浮水》之后，又创作了《浮水·云朵》，将浮水者和云朵重叠相连，复合为人与云的相关形象，圆形没有边界外延的形式，意喻了互联网时代人们既交互又分离的状态，人与物可以聚集、纠缠、相融、交互，又可以游离、发散、独立。人与云在这个聚散，复合，自由组合的时间与空间中延绵。Continuous floating water: Sui Cheng's floating person is a metaphor for the survival of contemporary urban people. Floating is both freedom and restriction,and the city is both the near shore and the offshore. He created a picture, a landscape society composed of people. His work is like a mirror, combining classical natural mountains and rivers with contemporary cement forests to form a new landscape, in which, the floating people are both them and us.Following Overlapping· Floating series, he created Floating Water·Cloud series. This series overlap and connect the floating water and clouds together, and compose the images of people and clouds. The form of circle without boundary extension means people in the Internet era are in a state of interaction and separation, people and things can gather, entangle, blend, interact, and meanwhile can be free, divergent and independent from each other. People and clouds extend in this time and space full of meeting and parting, reunion and freedom.Cross-border works/overlapped Images
跨界作品/重叠·圣徒
Cross-border works/overlapped·saint
180x230cm
纤维艺术
Fiber art
2021
浮水·云朵
Floating Water·Clouds
直径150cm
纤维艺术
Fiber art
2021
重叠·重叠之象
Overlapped·Overlapped Images
78x50cm
丝网版画
Silkscreen
2019
重叠·吉祥如意
Overlapped·auspicious as desired
78x102cm
丝网版画
Silkscreen
2019
2021年硕士毕业于深圳大学美术学版画与数字图像应用研究方向Born in 1995 in Zaozhuang, Shandong2018 Bachelor's degree in Printmaking from Xi’an Academy of Fine Arts2021 Master's degree in Fine Arts, Shenzhen University, Printmaking and Digital Image Application Studies2018年首届清华大学版画艺术节暨第十四届全国高等艺术院校版画年会展2016年“刻刀上的青春第四季——诗性的印痕”诗歌版画联展 2021 Film as mirror -- Excellence Award of 2021 cross strait Youth Art Creation Exhibition2021 ENTER theme exhibition2019 The 2nd College Student Art Exhibition2018 The First Tsinghua University Printmaking Art Festival and the 14th National Higher Art College Printmaking Annual Exhibition2016 "The Fourth Season of Youth on the Carving Knife-Poetic Imprints" Group Exhibition of Poetry Prints
作品说明
“月”与“肉”因其小篆字体相近而合并为一个偏旁，即“肉月旁”，它所构成的字多是与身体相关，指的是肉体。本是两种风马牛不相及的意象，却因为形似而联系在一起，系列作品的命名也是来源于此。
最初是生命体与工具之间感性与秩序、控制与异化的关系，到身体自身暗含的形式感成为一种景观，而后是中国传统的山水画作所带给我的身体的想象。
轮廓的起伏、骨骼结构带来的转折、脂肪堆积产生的变化以及肉体本身或粗糙或细腻都呈现出了不同的特征和质感，将身体投射于山水之中，或者说在经典山水画中置入身体的意象，这种不完全的重合产生了“缝隙”，最终转换成为某种新的风景或不确定的存在。
"The two characters 'moon' and 'meat' are combined into a single radical due to their similarity in small seal script, namely 'meat-moon radical', which is mostly associated with the body and refers to flesh. The name of the series derives from the fact that the two images, which are unrelated to each other, are linked by their similarity in form.Initially the relationship between sensuality and order, control and alienation between the living body and the instrument, to the body's own implicit sense of form as a landscape, and then to the imagery of the body brought to me by traditional Chinese landscape painting.The undulation of the contours, the twists and turns of the skeletal structure, the variations in the accumulation of fat and the flesh itself, whether rough or delicate, all present different characteristics and textures, projecting the body into the landscape, or rather placing the body in the imagery of a classic landscape painting, this incomplete overlap creates a 'gap' that eventually transforms into some new landscape or an indeterminate presence.
月-雪山图
Moon-snowy mountains Figure
195.6x110cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2020
月-群峰雪霁图
Moon-peaks and snow Figure
195.6x92cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2020
月-笼袖骄民图
Moon-Cage Sleeve Pride Figure
110x110cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2020
2019年深圳大学美术学专业版画与数字图像应用研究方向硕士研究生Born in 1996 in Changzhi，Shanxi2019 Bachelor's degree from Sichuan Normal University2019 Master of Fine Arts in Printmaking and Digital Image Application Studies, Shenzhen University2021 Tencent Innovation Scholarship , Shenzhen University2020 The First Prize Scholarship , Shenzhen University2019 The Special Grade Scholarship , Shenzhen UniversityThe Third Prize , The 12th Art and Design Exhibition of Chinese Universities2021年第二十一届"江南之春”——上海美术作品展2021 1st International Digital Printmaking Exhibition2021 The 6th China Youth Prints Exhibition2021 Great Beauty In SiChuan Art Exhibition2021 JIANGNAN SPRING The 21t Art Exhibition2021 The 15th Annual National Exhibition of Printing Making2020 The 12th Art and Design Exhibition of Chinese Universities2020 "Printmaking - Gengzi Season" Shenzhen University Printmaking Exhibition
作品说明
作品立足于当代图像，从视觉经验与思维方式的角度出发，将西方文艺复兴时期古典绘画作品中的人物元素融入到中国宋代时期的山水作品中，并赋予理性以构造产生新的感觉。通过重新反思历史，传统文化及当下的现实语境，将中外不同形式风格的图像重新组合在新的结构中，从根本上切断了被挪用图像的原初语境，使其具备新的意义。简单和复杂这一双重性贯穿在作品的概念之中。作品中人物元素都是来自西方神话、圣经或者历史题材里的人物，从中外两种文化的差异与融合的隐性层面给人们提供更深层次的认知。
Based on contemporary images, the work incorporates elements of figures from classical Western Renaissance paintings into Chinese landscape works of the Song Dynasty from the perspective of visual experience and way of thinking, and gives reason to the construction to produce a new feeling. By rethinking history, traditional culture and the current context, images of different formal styles from China and abroad are reassembled in a new structure, fundamentally cutting off the original context of the appropriated images and giving them a new meaning. The duality of simplicity and complexity permeates the concept of the work. The figures in the work are drawn from Western mythological, biblical or historical themes, providing a deeper understanding of the differences and fusion of the two cultures on an implicit level.
Digital copper plate composite material
拟像系列二
Simulacra Series II
60x40cm
数码铜板综合材料
Digital copper plate composite material
2020
拟像系列四
Simulacra Series IV
45x45cm
哈内姆勒金属收藏级相纸
Hahnemühle Photo Rag Metallic340
2020
1994年出生于广东中山
2019年深圳大学美术学专业版画与数字图像应用研究方向硕士研究生Born in 1994 in Zhongshan , Guangdong2017 Bachelor's degree from Hubei Institute of Fine Arts2019 Master of Fine Arts in Printmaking and Digital Image Application Studies, Shenzhen University“精神通道”——2020年两岸青年艺术创作展优秀奖Second class scholarship for postgraduate studies of Shenzhen University in 2019Second class scholarship for postgraduate studies of Shenzhen University in 2020Second class scholarship for postgraduate studies of Shenzhen University in 2021"Spiritual channel" -- outstanding award of cross strait youth art creation exhibition in 2020Excellent award of the 12th Annual Exhibition of Art Works in Chinese Colleges and Universities2020年 “精神通道”——2020年两岸青年艺术创作展2021 IAPA 1st International Digital Printmaking Exhibition2021 The second National Art Exhibition for College Students2021 Guangdong Province Printmaking Exhibition2021 The 12th annual exhibition of art works in Chinese colleges and Universities2020 Cross-strait youth art exhibition 2020 "Printmaking — Gengzi season" Printmaking Exhibition of Shenzhen University2017 "Practical + new" design exhibition of Hubei Institute of Fine Arts2017 Graduation design exhibition of Hubei Institute of Fine Arts2021 The 15th Annual National Exhibition of Printing MakingGuangzhou Daxin Art Museum
作品说明
钥匙作为一种解锁工具，在生活中常常被当作重要物件随身携带，钥匙掌管着重要财物、守护着重要空间，与经济、政治、文化密不可分，因其神秘性进入宗教，化身为进出天堂或地狱的重要符号。又因其两面性被弗洛伊德解释为婚姻与两性，因其历史性被盐田千春转译为记忆的符号，因其空间性被弗朗西斯·培根绘入到三联画中，小小的钥匙，被依托着物质和精神上的重任。钥匙由人类发明至今经过了一轮又一轮的演变，从中国最早出现的觿、到现如今的指纹、面钥、电子钥匙等，每一把钥匙几乎都与直接使用的手相关。于是我将中外具有通用涵义的手与钥匙相结合，将两者运用到我的创作当中，输出自己的思考，生成一系列实验性绘画。
As an unlocking tool, the key is often carried around as an important object in life, holding important possessions and guarding important spaces, inseparable from the economy, politics and culture. It was interpreted by Freud as marriage and the two sexes, by Chiharu Shiota as a symbol of memory, and by Francis Bacon in a triptych for its spatiality, and the small key has been entrusted with material and spiritual responsibilities. From the earliest Chinese bodkin to the present day fingerprints, facial keys and electronic keys, each key is almost always associated with the hand that is used directly. So I combined the hand, which has a universal meaning in China and abroad, with the key, and applied both to my creation, and the gesture is exported to generate a series of experimental paintings.
记忆与钥匙
Memories and Keys
50x110cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2021
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2021
手心中的钥匙
The Keys in Hands
50x110cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2021
2019年深圳大学美术学专业版画与数字图像应用研究方向硕士研究生Born in 1996 in Shenzhen, Guangdong2017 Bachelor's degree from Jiangnan University2019 Master of Fine Arts in Printmaking and Digital Image Application Studies, Shenzhen University2021年第十二届中国高校美术作品学年展博硕组优秀作品奖2021年 BICC中英国际创意大赛铜奖、与优秀奖2020年 2020广州设计周C+艺术节全国优胜奖2021 Outstanding Work Award in the Doctoral Group awarded by The 12th Art and Design Exhibition of Chinese Universities Annual Exhibition,2021 The 15th Annual National Exhibition of Printing Making2021 Bronze Award, Merit Award in The BICC International Creative Competition2021 Bronze Award in The BICC International Creative Competition2021 Bronze Award in Hong Kong Contemporary Design Awards2020 Guangzhou Design Week C+ Art Festival National Winner Awards2016年江南大学设计学院美术学专业综合材料绘画汇报展2021 The 12th Art and Design Exhibition of Chinese Universities2020 Guangzhou Design Week C+ Art Festival Theme Exhibition2020 "Printmaking - Gengzi Season" Shenzhen University Printmaking Exhibition2017 Jiangnan University School of Design Undergraduate Graduation Works Exhibition2016 Reported exhibition of mixed media painting in the School of Design, Jiangnan University
作品说明
以超现实主义艺术家达利的作品《永恒的记忆》为母题创作了这一系列作品。“网”在这里代表着禁锢、束缚的感受，在生活中我们不断受到规则的限制、时间的限制，在这些限制中又有着不同的缺口去追寻我们心中所向往的自由，在原作中达利表现了一种如他自己所说的“弗洛伊德所揭示的个人梦境与幻觉”。在我的作品中，提取了画面中的一些元素与网结合，以表现现实与内心渴望之间的关系。钟代表的扭曲的时间与软化的网形成一种虚拟与现实的结合，扭曲与断裂的网传达出禁锢中又有气口的感觉，强调时间的挪移，对限制的反应，以引起观者的思考。同时，在对自由的探索中，我加入了些许波普艺术的元素，而在时间维度，我逐渐加入了对空间的探索，试图寻找更多维度的自由与束缚，这一对矛盾贯穿我的作品始终，我想能够看清楚矛盾、了解矛盾、在矛盾中自洽是我在创作中所不断追求的。
The series is based on the surrealist artist Dali's 'Eternal Memory'. "The "net" in this case represents the feeling of confinement and bondage, where we are constantly subjected to the constraints of rules and time, and within these constraints there are different gaps to pursue the freedom we desire in our hearts. In the original work Dalí expressed, as he himself put it, "the personal dream and hallucination revealed by Freud". In my work, elements of the image are extracted and combined with the net to show the relationship between reality and inner longing. The distorted time represented by the clock and the softened net form a combination of the virtual and the real. The twisted and fractured net conveys a sense of confinement with an airy mouth, emphasising the displacement of time and a reaction to the limitations in order to provoke the viewer to think. At the same time, in the exploration of freedom, I have added some elements of Pop Art, while in the dimension of time, I have gradually added the exploration of space, trying to find more dimensions of freedom and confinement. This pair of contradictions runs through my works, and I think being able to see the contradictions clearly, understand them and be self-consistent in them is what I am constantly pursuing in my creation.
穿梭
Shuttling
60x90cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2020
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2020
列队
Form up
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2020
2020年深圳大学美术学专业版画与数字图像应用研究方向硕士研究生Born in 1998 in Hengshui, Hebei2020 Bachelor's degree from Southwest university for Nationalities2021 Master of Fine Arts in Printmaking and Digital Image Application Studies, Shenzhen University2021年中国新兴版画运动九十周年——全国版画作品展2021年第十五届全国高等院校版画教学与创作年会作品展2021年广东省庆祝中国共产党成立100周年美术作品展2021年对影为镜——2021两岸青年美术创作展优秀奖2019年迎接第十三届全国美展四川省优秀美术作品展2021 The 90th anniversary of China's emerging printmaking movement -- National Printmaking Exhibition2021 Spirit of Youth--2021 Triennial of Chinese Industrial Art Prints2021 Works exhibition of the 15th Annual Conference on Printmaking Teaching and creation in national colleges and Universities2021 Guangdong art exhibition celebrating the 100th anniversary of the founding of the Communist Party of China2021 The 9th Guangdong Printmaking Exhibition2021 Film as mirror -- Excellence Award of 2021 cross strait Youth Art Creation2019 Welcome the 13th National Art Exhibition Sichuan excellent art works exhibition2019 The second excellent works exhibition of Sichuan Wenhua Art Award2019 The 4th Sichuan printmaking Nomination ExhibitionArt Museum of Southwest University for Nationalities
作品说明
《重逢的山水》系列是在经过对现当代绘画语言发生发展及特征的学习后，用山水作为物象的启点，再结合重逢的词汇去进行整合。把已有知识作为一种方法，运用现当代艺术中的一种创作方式去进行图像的重逢性实验。以漏版印刷为手段，利用中国传统山水的图像为切入点，结合数字时代下艺术的科技化技术，运用现当代绘画语言中的拼贴、位移与重构等方法对语言图示的再整理，以及对图像的再应用，对当代艺术主题的应用和科学方法的运用，从而在单一语言的原点上生成多语言体系。在真实世界被图像建构的虚拟时代中，试图寻找出一种真与假二元对立图像同时存在的实验性方式。
The Reunited Landscapes series is a study of the development and characteristics of contemporary painting language, using landscape as a starting point for objects and then integrating them with the vocabulary of reunion. Using existing knowledge as a method, the series experiments with the reunion of images using a creative approach from contemporary art. The use of the traditional Chinese landscape image as an entry point, combined with the technology of art in the digital age, the use of collage, displacement and reconstruction in the language of contemporary painting, the reorganisation of linguistic iconography, the reapplication of images, the application of contemporary art themes and the use of scientific methods, thus generating a multilingual system from a single linguistic point of origin. In a virtual age where the real world is constructed by images, an attempt is made to find an experimental way in which true and false dichotomies of images exist simultaneously.
重逢的山水 No.1
The Reunited Landscapes No.1
93x70cm
德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2021
The Reunited Landscapes No.440×50cm德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2021
The Reunited Landscapes NO.5德国哈内姆勒艺术纸240克
Hahnemühle Studio Book &Decor 240
2021
物舍艺术机构与国内外二十多所艺术高校有着良好的长期合作的关系，致力于艺术完美生活，输出高品质的艺术家原作和跨界作品为目标，以分享艺术知识、理论、艺术家与设计师的跨界合作经验提供知识生产。为欣赏者和设计师提供理论和知识的来源，期待成为设计师灵感的生发地，高品位艺术欣赏者的美术馆。
电话：13316946549，18129815463
